The use of assorted video cameras to awning a arena goes aback to the ancient canicule of television; three cameras were acclimated to advertisement The Queen's Messenger in 1928, the aboriginal ball performed for television.1 The BBC commonly acclimated assorted cameras for their alive television shows from 1936 onward.2
Although it is generally claimed that the blur adaptation of the multiple-camera bureaucracy was pioneered for television by Desi Arnaz and cinematographer Karl Freund on I Love Lucy in 1951, added filmed television shows had already acclimated it, including addition ball on CBS, The Amos 'n Andy Show, which was filmed at the Hal Roach Studios and was on the air four months earlier. The address was developed for television by Hollywood short-subject adept Jerry Fairbanks, assisted by producer-director Frank
Although it is generally claimed that the blur adaptation of the multiple-camera bureaucracy was pioneered for television by Desi Arnaz and cinematographer Karl Freund on I Love Lucy in 1951, added filmed television shows had already acclimated it, including addition ball on CBS, The Amos 'n Andy Show, which was filmed at the Hal Roach Studios and was on the air four months earlier. The address was developed for television by Hollywood short-subject adept Jerry Fairbanks, assisted by producer-director Frank
No comments:
Post a Comment