Thursday, 15 December 2011

Multiple-camera setup

The use of assorted video cameras to awning a arena goes aback to the ancient canicule of television; three cameras were acclimated to advertisement The Queen's Messenger in 1928, the aboriginal ball performed for television.1 The BBC commonly acclimated assorted cameras for their alive television shows from 1936 onward.2

Although it is generally claimed that the blur adaptation of the multiple-camera bureaucracy was pioneered for television by Desi Arnaz and cinematographer Karl Freund on I Love Lucy in 1951, added filmed television shows had already acclimated it, including addition ball on CBS, The Amos 'n Andy Show, which was filmed at the Hal Roach Studios and was on the air four months earlier. The address was developed for television by Hollywood short-subject adept Jerry Fairbanks, assisted by producer-director Frank

History and use

The use of assorted video cameras to awning a arena goes aback to the ancient canicule of television; three cameras were acclimated to advertisement The Queen's Messenger in 1928, the aboriginal ball performed for television.[1] The BBC commonly acclimated assorted cameras for their alive television shows from 1936 onward.[2]
Although it is generally claimed that the blur adaptation of the multiple-camera bureaucracy was pioneered for television by Desi Arnaz and cinematographer Karl Freund on I Love Lucy in 1951, added filmed television shows had already acclimated it, including addition ball on CBS, The Amos 'n Andy Show, which was filmed at the Hal Roach Studios and was on the air four months earlier. The address was developed for television by Hollywood short-subject adept Jerry Fairbanks, assisted by producer-director Frank

Telford

and aboriginal apparent on the album alternation The Silver Theater, addition CBS program, in February 1950.3 Desilu's addition was to use 35mm blur instead of 16mm, and to blur with a multiple-camera bureaucracy afore a alive flat audience.

In the backward 1970s Garry Marshall was accustomed with abacus the fourth camera (known again as the "X" Camera, and occasionally today accepted as the "D" Camera) to the multi-camera accoutrement for his alternation Mork & Mindy. Amateur Robin Williams could not break on his marks due to his physically alive improvisations during shooting, so Marshall had them add the fourth camera aloof to break on Williams so they would accept added than aloof the adept attempt of the actor. Soon afterwards abounding productions followed clothing and now accepting four cameras (A, B, C and X or D) is the barometer for multi-camera bearings comedies.

The multiple-camera adjustment gives the administrator beneath ascendancy over anniversary shot, but is faster and beneath big-ticket than a single-camera setup. In television, multiple-camera is frequently acclimated for sports programs, account programs, soap operas, allocution shows, bold shows, and some sitcoms. Afore the pre-filmed continuing alternation became the ascendant affecting anatomy on American television, the ancient album programs (see the Golden Age of Television) utilised assorted camera methods.

Multiple cameras can booty altered shots of a alive bearings as the activity unfolds chronologically and is acceptable for shows which crave a alive audience. For this acumen assorted camera productions can be filmed or taped abundant faster than distinct camera. Distinct camera productions are attempt in takes and assorted setups with apparatus of the activity again several times and out of sequence; the activity is not allowable chronologically so is clashing for examination by a alive audience.

Sitcoms attempt with the assorted camera bureaucracy accommodate about all of Lucille Ball's TV series, as able-bodied as Mary Kay and Johnny, The Dick Van Dyke Show, The Mary Tyler Moore Show, All in the Family, Three's Company, Cheers, The Cosby Show, Seinfeld, Friends, and Everybody Loves Raymond. Abounding American sitcoms from the 1950s to the 1970s were attempt application the distinct camera method, including The Adventures of Ozzie and Harriet, Leave It to Beaver, The Andy Griffith Show, The Addams Family, The Munsters, Get Smart, Bewitched, I Dream of Jeannie, Gilligan's Island, Hogan's Heroes, and The Brady Bunch. These did not accept a alive flat admirers and by actuality attempt single-camera, deeply edited sequences could be created, forth with assorted locations, and beheld furnishings such as bewitched appearances and disappearances.

The majority of British sitcoms and dramas from the 1950s to the aboriginal 1990s were fabricated application four cameras and initially advertisement live. Unlike the United States, the development of completed filmed programming, application the distinct camera method, was bound for several decades. Instead, a 'hybrid' anatomy emerged application (single camera) filmed inserts, about area work, alloyed with autogenous scenes attempt in the multi-camera cyberbanking studio. It was the best accepted blazon of calm assembly buried by the BBC and ITV. As technology developed though, some ball productions were army on area application assorted cyberbanking cameras. Meanwhile, the best celebrated productions, like Brideshead Revisited (1981), began to use blur alone. By the after 1990s, soap operas were larboard as the alone TV ball actuality fabricated in the UK application assorted cameras. Television prime-time dramas are usually attempt application a single-camera setup.

While the multiple-camera architecture bedeviled US sit-com assembly in the 1970s and 1980s, there has been a contempo awakening of the single-camera architecture with programs such as Malcolm in the Middle (2000–2006), Scrubs (2001–2010), My Name Is Earl (2005–2009), Everybody Hates Chris (2005–2009), The Office (2005-), 30 Rock (2006-), Samantha Who? (2007–2009), Modern Family (2009–), and Community (2009–). Prominent contempo examples of the multiple-camera ball accommodate Two and a Half Men (2003–), How I Met Your Mother (2005–), and The Big Bang Theory (2007–).

Most films additionally use the single-camera setup. In contempo decades beyond Hollywood films accept amorphous to use added than one camera on-set, usually with two cameras accompanying filming the aforementioned setup, about this is not a accurate multicamera bureaucracy in the television sense. Sometimes affection films will run assorted cameras, conceivably four or five, for large, big-ticket and difficult-to-repeat appropriate furnishings shots, such as ample explosions. Again, this is not a accurate multicamera bureaucracy in the television faculty as the resultant footage will not consistently be abiding sequentially in editing, and assorted shots of the aforementioned access may be again in the final blur — either for aesthetic aftereffect or because the altered shots are taken from altered angles they can arise to be altered explosions to the audience.